Sarah and the Dragon
a chamber opera in one act for young voices
A single mom overcomes fear to mend a fractured family.
Johnny & the Dog
scored for treble voices and piano (12 pages)
Synopsis: Sarah, a single mom who lives in an RV park with her child, is lovely but fearful. Her relationships are fractured, especially with her life partner. One day a dragon roars in on a howling wind an steals her child. Sarah is inadvertently caught up in the magical smoke and flames and is transported to a distant volcanic island. There she encounters curious creatures, and eventually a sorcerer who is the source of her problems. Sarah must choose to run away and become lost, or stand up for what’s is rightfully hers.
Performance duration: circa 10″
Read the libretto
See sample pages of the score
Download a sample performance license
Piano-vocal score: $25 to print as needed for local use
Rehearsal libretto: $10 to print as needed for local use
Rehearsal recordings (solo voice and piano, not for public performance) $50 upon request
Performance License: $250 for up to 5 performances in a 12 month period
With documentation, public or private schools may apply for a substantial discount on the performance license. Please contact us for additional information.
20% of any proceeds will be returned to the Santa Fe Opera Company in support of their Community Development and Education programs.
The initial concept of these little operas came out of works created in class sessions in the ‘Active Learning Through Opera’ program of the Santa Fe Opera Company with the Rio Rancho School District in Northern New Mexico, USA.
The main characters, storyline, libretto, and melodies are developed in weekly sessions as guided by Teaching Artists (typically a dramaturg and a composer). Accompaniments and performing editions are then prepared by the resident composer with considerable discretion in refining the pieces for presentation.
For these newly prepared editions, the scores have been adapted, expanded, and developed significantly beyond that of their original performing versions. This includes changes to the libretti, dramatic structure and melodic material intended to attain a sense of overall refinement for better storytelling.
The operas may be sung by adults or youth ad libitum and the rôles should be considered as gender flexible. Accompaniments are designed somewhat simply for piano solo and may be ‘filled in’ at the performers discretion. Additional performance directions, specifically regarding the use of ‘soundscapes’ are indicated in the individual scores.